Funmi Fetto’s debut story collection, Hail Mary – Stories, is a fierce, unflinching, and emotionally intelligent work that burrows into the depths of diasporic Nigerian womanhood. With ten emotionally charged, socially resonant stories, Fetto not only introduces us to richly imagined women at the edge of personal precipices but also carves out space for African women to reclaim the narratives too often flattened or ignored.
Much like the quote that opens the book—“Definitions belong to the definer, not the defined” by Toni Morrison—Fetto redefines who gets to tell the story, how it’s told, and what truth it holds. Her prose is exacting, confident, and suffused with emotional clarity. This is a collection that bruises and heals in equal measure.
Overview: Ten Stories, Ten Crossroads
Set across London, Lagos, and liminal emotional spaces, Hail Mary – Stories by Funmi Fetto offers ten narratives that revolve around Nigerian women facing personal reckonings—sometimes subtle, sometimes seismic.
These stories confront themes of:
- Religious repression and spiritual rebellion
- Migration and displacement
- Love as survival versus love as liberation
- Motherhood, abandonment, and inherited trauma
- Sexual agency and emotional betrayal
While each piece can stand alone, they are best read together, like shards of a mirror that together reflect a fractured but vivid portrait of modern African womanhood.
Writing Style: Unapologetic and Atmospheric
Fetto writes with a journalist’s economy and a poet’s sensibility. Her prose is tactile and emotionally resonant, carrying the reader through each story with a voice that feels both ancient and urgent. In stories like 2 Samuel 6:14 and Unspoken, her tone sways between sorrow and satire. She crafts layered interior lives through voice, pacing, and vivid detail, allowing each protagonist to claim her space—even if only temporarily—in a world that often denies it.
There’s a maturity to Fetto’s narrative approach. She avoids didacticism, instead allowing emotional truths to emerge through accumulation rather than exposition. Her narrative restraint is powerful: what’s not said is often just as telling as what is.
Key Stories That Stand Out
- 2 Samuel 6:14
- A deeply layered exploration of faith, domestic abuse, and stolen autonomy. Ifeoma’s secret hope for escape, juxtaposed with her husband’s pastoral tyranny, ends with poetic justice that redefines divine deliverance.
- Unspoken
- A masterclass in emotional withholding. The protagonist Amaka’s rejection of a marriage proposal is both quiet and cataclysmic. Fetto explores trauma’s long reach, showing how unresolved histories haunt present choices.
- Housegirl
- A tale of class mobility that peels back layers of internalized prejudice. It critiques both Western elitism and diasporic self-erasure through a subversive domestic lens.
- Dodo is Yoruba for Fried Plantain
- This story wittily explores generational disconnects, unspoken cultural expectations, and the tenderness of food as identity. Fetto’s voice here is light yet incisive.
- The Tail of a Small Lizard
- A magical-realist tinged tale that ends the collection with both mysticism and metaphor. The lizard is more than a creature—it’s history, legacy, and the haunting embodiment of what is left unsaid.
Themes: Power, Performance, and Persistence
Fetto’s stories interrogate systems of oppression—religious, cultural, patriarchal—with unflinching precision. But she never allows the women in her stories to become symbols or victims alone. Their contradictions, their compromises, their rage, and their small acts of rebellion are treated with reverence.
Major recurring themes include:
- Spiritual Authority vs. Personal Faith: Several characters grapple with religious institutions that were meant to protect but instead perpetuate harm.
- Sexual Reclamation: From Ifeoma’s affair with a younger man to women seeking pleasure without apology, Fetto presents desire as both a political and personal act.
- The Quiet Violence of Respectability: Many of her women suffer under cultural expectations—to be good daughters, loyal wives, submissive Christians. Fetto’s critique here is razor-sharp.
- Diaspora Disillusionment: The dream of London as a sanctuary is repeatedly undercut by economic precarity, racial microaggressions, and bureaucratic cruelty.
Strengths: What Hail Mary Does Exceptionally Well
- Character Depth: Fetto’s protagonists are unforgettable. Even in stories spanning just 15–20 pages, the reader feels immersed in lifetimes of grief, resistance, and longing.
- Cultural Specificity: Yoruba, Igbo, and Nigerian English dialects are seamlessly woven into the text, grounding each narrative in time and place without over-explaining.
- Narrative Range: From dark comedy to quiet tragedy, Fetto’s tonal control is remarkable. She moves across emotional registers fluidly, often within the same paragraph.
- Political Subtext: Whether it’s a critique of UK immigration policy or evangelical hypocrisy, Fetto embeds sociopolitical commentary without losing narrative intimacy.
Weaknesses and Critique: Where the Collection Stumbles
While Hail Mary by Funmi Fetto is a striking debut, it isn’t without unevenness.
- Pacing Variance: A few stories (Trip, for example) take longer to settle into their emotional core. Their impact, while significant, isn’t as immediate.
- Repetitive Themes: At times, the recurrence of abusive male partners, secrets, and spiritual disillusionment can begin to feel thematically predictable across stories.
- Abrupt Endings: Some tales conclude in ways that feel too swift or unresolved, leaving readers grasping for a final emotional beat that never arrives.
Yet even these minor flaws speak to the ambition of the collection. Fetto is aiming wide—and when she hits, it’s powerful.
Similar Works and Literary Lineage
Readers drawn to Hail Mary by Funmi Fetto will likely appreciate:
- What It Means When a Man Falls from the Sky by Lesley Nneka Arimah
- Girls, Woman, Other by Bernardine Evaristo
- The Secret Lives of Baba Segi’s Wives by Lola Shoneyin
- Speak Gigantular by Irenosen Okojie
Fetto shares thematic terrain with these authors—specifically in portraying African women navigating systems of silence, power, and inherited expectation—though her voice remains wholly her own.
A Note on the Author
Funmi Fetto is known primarily as a journalist and beauty editor. Her previous work, Palette: The Beauty Bible for Women of Colour, was a groundbreaking nonfiction text that centered Black women’s beauty experiences. In Hail Mary by Funmi Fetto, she brings the same centering of Black womanhood—only this time through fiction, emotion, and story.
Her transition from nonfiction to literary fiction is seamless. Her journalistic eye for nuance and empathy for marginalized voices is evident in every paragraph.
Final Verdict: A Compelling, Complicated Debut Worth Your Time
Hail Mary – Stories by Funmi Fetto is a debut bursting with intelligence, vulnerability, and narrative courage. It is not an easy collection, nor is it meant to be. Its power lies in its refusal to soothe, to simplify, or to soften the realities it portrays. Instead, Funmi Fetto gifts us with a tapestry of Black womanhood that is messy, majestic, and deeply human.
This is not just a collection to read—it’s one to wrestle with. And that, perhaps, is its greatest triumph.
Key Takeaways
- A must-read for fans of literary short stories that blend cultural specificity with universal emotion.
- Unapologetically feminist and diasporic in tone, with a firm focus on Nigerian women’s lived experiences.
- Best suited for readers who appreciate slow-burning stories with layered, character-driven plots.
