Kelly Andrew’s “I Am Made of Death” completes a thematic trilogy that began with “The Whispering Dark” and continued with “Your Blood, My Bones,” delivering a hauntingly beautiful tale that stands perfectly on its own while enriching the larger universe she’s created. This dark fantasy romance follows Vivienne Farrow, a selective mute with a deadly voice, and Thomas Walsh, the interpreter hired to handle her—and the unexpected bond that forms between them as they confront both supernatural and very human horrors.
Andrew’s prose is both lyrical and razor-sharp, moving effortlessly between moments of genuine tenderness and sequences of heart-stopping terror. While ostensibly marketed toward young adults, this novel tackles complex themes of identity, autonomy, and bodily horror with a maturity that will resonate with readers of all ages.
A Reflection Gone Rogue: The Plot Unveiled
Set in modern-day Connecticut, “I Am Made of Death” introduces us to Thomas Walsh, a college dropout working odd jobs to support his ailing mother and teenage sister. When offered an exceptionally well-paying position as an interpreter for Vivienne Farrow, a selective mute who communicates through sign language, Thomas jumps at the opportunity despite the strange conditions attached.
Vivienne, however, is no ordinary teenager. Since a mysterious incident in Red Rock Canyon when she was four years old, she hasn’t spoken a word—because her voice has become deadly, capable of driving anyone who hears it to a horrific death. But more terrifying than that is what she sees in the mirror: not her own reflection, but a monstrous doppelgänger with sharp teeth and malevolent intentions.
As Thomas becomes more entangled in Vivienne’s world, he discovers she’s desperately searching for a surgical exorcism to rid herself of this parasitic entity. Their relationship deepens even as Vivienne attempts to drive him away for his own safety, leading to a heart-pounding climax involving an ancient entity called the Charybdis, family secrets, and a dangerous cult known as the House of Hades.
Characters That Haunt Long After the Final Page
Andrew excels at creating multi-dimensional characters whose complexities are revealed layer by layer:
- Vivienne Farrow is a masterfully crafted protagonist whose outward iciness masks deep vulnerability. Her journey from isolation to connection feels earned and deeply moving. Her unique linguistic situation—using a personal blend of ASL, SEE, and fingerspelling—reflects her fractured sense of self and belonging.
- Thomas Walsh subverts the “knight in shining armor” trope by being imperfect yet steadfast. His unwavering devotion isn’t blind—he sees Vivienne clearly, monstrous parts and all, and chooses to stay. His backstory involving his father’s abandonment and his mother’s illness adds depth to his character without overshadowing his own agency.
- Philip Farrow, Vivienne’s stepfather, is a chillingly effective villain precisely because his motivations stem from recognizable human ambition rather than cartoonish evil.
- Christian Price and Colton Price provide fascinating mirrors to Vivienne’s situation, expanding the mythology of the world while creating emotional resonance.
The secondary characters—from Reed Connolly to Tessa Walsh—are equally well-drawn, each serving the narrative while maintaining their own distinct personalities.
Strengths: Where “I Am Made of Death” Truly Shines
Nuanced Exploration of Communication
Andrew, who shares in her author’s note that she lost her hearing at age four, brings authentic nuance to Vivienne’s relationship with language. The portrayal of different communication methods—ASL, SEE, written notes, and voice—never feels didactic, instead serving as a powerful metaphor for the ways we connect (or fail to connect) with others.
Atmospheric World-Building
The novel’s settings—from the sterile Farrow mansion to the decaying House of Hades—are rendered with atmospheric precision. Particularly effective is Andrew’s depiction of the “in-between” spaces where reality thins, creating a sense of cosmic horror without resorting to explicit gore.
A Love Story with Teeth
The romance between Thomas and Vivienne develops with exquisite patience, punctuated by moments of genuine connection that feel earned rather than manufactured. Their relationship is all the more poignant for the obstacles they face, both supernatural and mundane.
Themes of Identity and Autonomy
The novel’s central question—are we defined by our darkest parts?—resonates throughout. Vivienne’s struggle with the creature in the mirror parallels universal adolescent anxieties about identity, while the various “handlers” in her life represent different approaches to control and freedom.
Areas for Improvement: Minor Critiques
While “I Am Made of Death” is a remarkable achievement, a few elements could have been strengthened:
- Pacing in the Middle Sections: The novel occasionally loses momentum in its middle chapters, particularly when establishing the mythology of the House of Hades.
- Underutilized Supporting Characters: Characters like Hadley and Frankie are introduced with promise but fade somewhat into the background as the plot intensifies.
- Convenient Escapes: A few plot resolutions rely on somewhat convenient timing or coincidences, particularly in the final confrontation with the Charybdis.
- Limited Exploration of the Broader World: While this is primarily Vivienne and Thomas’s story, the hints at a larger supernatural universe sometimes feel tantalizing without full payoff.
Thematic Resonance: Beyond the Surface Horror
What elevates “I Am Made of Death” above standard supernatural thrillers is its thematic richness:
- The Horror of Being Seen vs. The Horror of Being Invisible: Vivienne simultaneously fears being truly seen (with her monstrous reflection) and being overlooked (as a person with agency).
- Family as Both Prison and Salvation: The novel explores how family can be both the source of our deepest wounds and our greatest healing.
- Voice as Power: Andrew deftly uses Vivienne’s deadly voice as a metaphor for the double-edged nature of feminine expression—feared, silenced, yet ultimately necessary.
- Consent and Autonomy: The various ways Vivienne’s body and choices are controlled by others (Philip, the creature, the House of Hades) create a powerful commentary on bodily autonomy.
Final Verdict: A Memorable Addition to the Dark Fantasy Genre
“I Am Made of Death” achieves that rare balance of being both deeply entertaining and intellectually stimulating. It should appeal to fans of:
- Leigh Bardugo’s “Ninth House”
- V.E. Schwab’s “Vicious“
- Holly Black’s darker fairy tales
- Emily A. Duncan’s “Something Dark and Holy” series
Andrew’s personal connection to language and communication gives this story an authenticity that resonates beyond its supernatural elements. The novel’s exploration of what makes us human—our capacity for both monstrosity and love—will linger with readers long after they turn the final page.
While not without minor flaws, “I Am Made of Death” is a powerful conclusion to Andrew’s thematically linked trilogy, cementing her status as a vital voice in contemporary dark fantasy. Readers who appreciate complex characters, atmospheric world-building, and stories that blend horror with heart will find much to love here.
About the Author
Kelly Andrew is the bestselling author of “The Whispering Dark” and “Your Blood, My Bones.” Her work consistently explores themes of identity, belonging, and the thin boundary between humanity and monstrosity. As revealed in her author’s note, Andrew lost her hearing at age four, bringing personal experience to her nuanced portrayal of communication in “I Am Made of Death.” Her ability to blend authentic emotional resonance with supernatural elements has earned her a dedicated following in the dark fantasy genre.
